Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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unknow artist
Nar one vessel each in a wonderful mood in bamn togs the if tie of skeppsbyggare ocb am driving
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ID: 49721

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unknow artist Nar one vessel each in a wonderful mood in bamn togs the if tie of skeppsbyggare ocb am driving


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unknow artist

  Related Paintings of unknow artist :. | musicerande sallskap | European city landscape, street landsacpe, construction, frontstore, building and architecture. 266 | Floral, beautiful classical still life of flowers.049 | Still life floral, all kinds of reality flowers oil painting 346 | Antipova |
Related Artists:
Ernst Meisel
painted Gretchen beim Kirchgang in 1894
Nancy Fay
American , 1893-1930
Jean-Germain Drouais
1763-1788 French Jean Germain Drouais Locations Son of Francois-Hubert Drouais. He trained first with his father and in 1778 enrolled at the Academie Royale, becoming a pupil of Nicolas-Guy Brenet. Around 1781 he entered Jacques-Louis David studio as one of his first pupils. The following year, though not officially entered for the competition, he painted that year Prix de Rome subject, the Return of the Prodigal Son (Paris, St Roch), presumably as a trial for his own edification. The picture has a friezelike composition and reveals both the influence of Jean-Francois Peyron and David as well as debts to Poussin and Italian 17th-century sources. In 1783 Drouais reached the Prix de Rome final with the Resurrection of the Son of the Widow of Nain (Le Mans, Mus. Tesse) but was eliminated from the competition in extraordinary circumstances: impatient to know his master opinion, Drouais cut a section off the canvas and smuggled it out of the competition rooms. David acknowledged it to be the best thing his favourite pupil had yet done, but by his hasty action Drouais had disqualified himself. However, the following year he won the prize, and great acclaim, with the Woman of Canaan at the Feet of Christ (Paris, Louvre), an extremely accomplished piece influenced by Poussin work and David Belisarius (Lille, Mus. B.-A.).






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